Notes on Nietzsche and the Greek Tragedy: § 10 of The Birth of Tragedy in the spirit of Music
Keywords:
myth, symbol, Tragedy, feeling of mithAbstract
This research aims to demonstrate that Nietzsche extracts from the Greek Tragedy a thought that is innovative for modernity: that the myth and the feeling of myth are indelible marks in man. In tragic texts, in play-acting, in music, the Dionysian power is supported by the creation of Apollonian illusions of inescapable presence. This poetry represents, in the power and weaknesses of its heroes, in its masks and in its profoundness, the founding ground which vanishes little by little with the advent of Philosophy, arriving at the German Romantism without a total rupture with its origin.
Downloads
Published
Issue
Section
License
The contents of the manuscript have been tacitly or explicitly approved by the responsible authorities where the research was carried out.
Upon acceptation of the manuscript, the author agrees to allow its publication by Hypnos, declining pecuniary gains due from copyright. If the manuscript is published later in other media, the author agrees to always give credits of its first publication in Hypnos.
If the submitted document includes figures, tables, or large sections of text previously published, the author declares himself responsible for having obtained permission of the original copyright owners of these items for both the online and printed publication of this journal. Credits for copyrighted material must be properly attributed in the manuscript.
A revista 