Ética e Poética em Fernando Pessoa: por um ética do desejo e da perversão
Keywords:
poetry, transgression, ethicsAbstract
Having as a starting point the concept of “poetry” formulated by Roland Barthes according to whom “poetic composition” – seen as “writing praxis” – can be defined as the “transgression of language transgressions”, this article is a reflection upon possible ethical aspects of Fernando Pessoa’s poetic practice. Taken from the viewpoint of its persistently and inexorably transgressive nature vis-à-vis other forms of discourse it would hold a dialogue with the well-known poetic and heteronymic unfolding of Pessoa’s poetics might be understood as the materialization of an ethical proposition centred on the multiplying and proliferating of language forms which, by means of practising and experimenting with various idiolects, would aim at blazing trails towards the engendering of a “desirous poetry” involved in inscribing upon the “pervers(e)ty” of discourse erraticalness the voluble and uncertain contour lines of multiple desires.
Downloads
Issue
Section
License
The contents of the manuscript have been tacitly or explicitly approved by the responsible authorities where the research was carried out.
Upon acceptation of the manuscript, the author agrees to allow its publication by Hypnos, declining pecuniary gains due from copyright. If the manuscript is published later in other media, the author agrees to always give credits of its first publication in Hypnos.
If the submitted document includes figures, tables, or large sections of text previously published, the author declares himself responsible for having obtained permission of the original copyright owners of these items for both the online and printed publication of this journal. Credits for copyrighted material must be properly attributed in the manuscript.
A revista 